Smithsonian Folklife Festival shines spotlight on Haitian...


Washington Post Staff Writer

When Richard Kurin heard about the catastrophic earthquake in Haiti last January, he was heartbroken. As point man for decades for the annual Smithsonian Folklife Festival, he knew the Smithsonian had to do something.

In 2004 about 100 Haitian artists came to the Mall as an official centerpiece of the festival, marking Haiti's 200 years of independence from the French. So, Kurin said, "we knew the cultural workers." His immediate concern for the safety of individual artists morphed into worries about the condition of the nation's paintings, musical instruments and art galleries.

Once he started hearing from artists who had survived and he saw televised images of injured people pulling art from the rubble, Kurin developed a plan to get the Smithsonian involved in the recovery. "Culture is important as a basic part of people's survival. The Smithsonian had the context there and we had the tools," he said.

When the Folklife Festival opens Thursday, the Smithsonian will showcase one aspect of its Haiti initiative. It has expanded the core programs by inviting Boukman Eksperyans, a Grammy-nominated group, to perform its Haitian-Caribbean fusion sound Saturday.

Two Haitian visual artists, Mireille Delisme and Levoy Exil, will also participate in the festival. Delisme will show how she incorporates voodoo designs into sequined flags. Exil will discuss how the Saint Soleil school of painting emerged from a mountain community. In the tented festival marketplace, paintings, metalwork, baskets and statues representing the crafts of 77 Haitian artists will be sold, with all proceeds helping the island's artists and art cooperatives.

This year, at the 10-day, 44th annual Folklife Festival on the Mall, the focus will be on the cultures of Mexico and Asian Pacific Americans and on Smithsonian workers, such as the keepers of the fossils. The outdoor festival runs Thursday through Monday and then resumes July 1-5. Though most activities end at 5:30, the Smithsonian and the National Park Service sponsor evening concerts and dance parties.

The festival's programs are selected by curators doing research on a topic or country, or on a particular anniversary. This allows the coordinators to dig deep into cultures and present a diversity of languages, music, food, dance and crafts.

This year, in the tented areas, the small businesses of Mexico, celebrating the nation's 200th year of independence, will be represented by a candymaker from Xochimilco, instrument makers from Nayarit and Veracruz, and beekeepers from Campeche. The Asian Pacific Americans section, representing the roughly 30 Asian American and 24 Pacific Island American groups, will emphasize traditional dances and songs, including fusion styles. A local women's performance group, the Veiyasana Dance Troupe, will feature Fijian and Indian dances and island songs.

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