These days, Okamura's favorite subjects are the African-American women of New York City. His new exhibit "Bronx Brooklyn Queens" is currently on display at New York's Lyons Wier Gallery.
In an interview with NPR host Michel Martin, Okamura traces his artistic roots to his upbringing in Canada. He says there was not a lot to do during the long winters and adds, "I used to bother my mother, and she would give me paper and pencils and eventually bought me some finger paints. And that somehow seemed to click."
Okamura says a natural evolution led him to create "Bronx Brooklyn Queens," and it began with his interest and involvement in hip hop. In Canada, he even had a hip hop radio show.
"I was into not only the music, but other aspects of the culture — graffiti — and just really got interested in American urban experiences. When I moved into New York, I was dropped down right in the heart, the birthplace of hip hop. People I was meeting were often times directly involved in the scene, and a lot of those people became subjects for me to paint," says Okamura.
In this new exhibit, his subjects are friends, or friends of friends. He describes his exhibit as a blend of "realistic portraiture, figurative work with graffiti elements in the background and urban motifs."
He confirms that people are surprised that someone named Okamura is producing such paintings of African-American women. "For the most part, though, the reaction is very positive," he says. "I just think that the surprise comes from ... in life, people just want to draw the shortest line between two points, and then when they find out what I look like and who I am and my background, then they sort of have to think a little bit more about how this connection happened."
Some people are excited when people from different backgrounds discover each other. But other times, Okamura says a few people express resentment and question whether he's appropriating another culture for his personal profit. He says that kind of reaction doesn't come from his generation and those who are younger. "I think an older generation of art collectors seems to be a little more aware of that."
He adds, "Sometimes people question a little bit, but I don't consider myself trying to say I'm an authority on African-American culture of life per se. I'm really a storyteller, and in my portraits, there's a narrative, and I think that the people I paint, in my opinion, have a very important story that needs to be told."